Below you'll find all the vocabulary words and definitions, as well as Beowulf and Grendel quizzes.
Beowulf Vocabulary
Four SAT words that appear in Beowulf
af·flic·tion (-flkshn)
n. A condition of
pain, suffering, or distress; A cause of pain, suffering, or distress.
—Synonyms 2.
mishap, trouble, tribulation, calamity, catastrophe, disaster. Affliction,
adversity, misfortune, trial refer to an event or circumstance that is hard to bear.
—Antonyms 1.
relief, comfort, solace.
[Origin: 1300–50; ME affliccioun
< L afflīctiōn- (s. of afflīctiō).]
sen·ti·nel (sěn'tə-nəl)
n. One that keeps guard; a sentry (a guard, a watch, a lookout).
n. One that keeps guard; a sentry (a guard, a watch, a lookout).
[Middle French, from Old Italian, from Latin]
sin·ew (sĭn'yōō)
n.
n.
A tendon.
Vigorous strength; muscular power.
The source or mainstay of vitality and strength.
[Middle English, from Old English]
sol·ace (sŏl'ĭs)
n. Comfort (or a source of comfort) in sorrow, misfortune, or distress; consolation; alleviation; relief.
n. Comfort (or a source of comfort) in sorrow, misfortune, or distress; consolation; alleviation; relief.
[Middle English, from Old French, from Latin]
Five words that will
help us understand Anglo-Saxon poetry
al·lit·er·a·tion (-lt-rshn)
n. The repetition of the same sounds (usually
consonant sounds) or of the same kinds of sounds at the beginning of words or
in stressed syllables, as in “on scrolls of silver snowy sentences” (Hart
Crane).
[From ad-
+ Latin littera, letter.]
cae·su·ra also ce·su·ra (s-zhr, -zr)
n.
Prosody. a
break, esp. a sense pause, usually near the middle of a verse, and marked in
scansion by a double vertical line
A pause or interruption, as in conversation
[Latin caesra, a cutting, from caesus, past participle of caedere, to cut off. See ka-id- in Indo-European Roots.]
[Latin caesra, a cutting, from caesus, past participle of caedere, to cut off. See ka-id- in Indo-European Roots.]
ep·ic (pk)
n. An extended narrative poem in elevated or
dignified language, celebrating the feats of a legendary or traditional hero
(or any literary work, period of history, etc. resembling an epic)
adj. Related to a literary epic; Surpassing the usual
or ordinary, particularly in scope or size; Heroic and impressive
ken·ning (knng)
n. A figurative, usually compound expression used in
place of a name or noun, especially in Old English and Old Norse poetry; for
example, storm of swords is a kenning for battle and wave traveler is a kenning for boat.
[Old Norse, from kenna,
to know, to name with a kenning. See
gn- in Indo-European Roots.]
scop (shp, shp)
n. An Old English poet or bard.
[Old English.]
[Old English.]
Three words that will
help us understand Anglo-Saxon culture
mail2
(ml)
n. Flexible armor
composed of small overlapping metal rings, loops of chain, or scales. 2. The
protective covering of certain animals, as the shell of a turtle.
[Middle English, from Old French maile, from Latin macula, blemish, mesh.]
[Middle English, from Old French maile, from Latin macula, blemish, mesh.]
mead (md)
n. An alcoholic
beverage made from fermented honey and water.
weird (wîrd)
adj.
adj.
Of, relating to, or suggestive of the preternatural or
supernatural.
Of a strikingly odd or unusual character; strange.
Archaic Of or relating to fate or the
Fates.
n.
Fate;
destiny.
[Middle English from Old English wyrd, fate]
[Middle English from Old English wyrd, fate]
***
Grendel Vocabulary
Sycophant A servile self-seeker who
attempts to win favor by flattering influential people.
Noun
Greek
Fuliginous Colored as if by soot
Adjective
Latin
Hex An evil spell; a curse. To
curse
Noun/Verb
German
Leer desirous, sly, or knowing
look. To glance sidelong esp. sexually or maliciously
Noun/verb
Old English
Moor A broad area of open land,
often high but poorly drained, with patches of heath and peat bogs.
Noun
Old English
Solipsist One who believes in the theory or view that the self is
the only reality.
Noun
latin
Ominous Menacing; threatening
Adj
latin
Undulant wave-like
Adj
latin
Debauch To corrupt morally.
Verb
french/germanic
Omniscience the state of being all
knowing
Noun
latin
Hoary Gray or white with or as if
with age.
Adjective
Old English
Dirge A funeral hymn or lament.
Noun
Latin
Dogmatism Arrogant, stubborn assertion
of opinion or belief.
Noun
greek
Petulant Unreasonably irritable or
ill-tempered; peevish.
Adj
latin
Intimation A hint; an obscure or
indirect suggestion or notice; a remote or ambiguous reference; as, he had
given only intimations of his design.
Noun
latin
Nihilism A doctrine holding that all
values are baseless and that nothing can be known or communicated
Noun
latin
Paradox A seemingly contradictory
statement that may nonetheless be true
Noun
Greek
Inchoate In an initial or early stage;
incipient.
Adj
latin
Ossify To change into bone; become
bony. To become rigid
Verb
latin
Omnipotence unlimited or universal power
Noun latin
***
Abominable
|
Adj.
|
detestable; loathsome
unpleasant or disagreeable
|
abomination
|
Lovable
|
|
Accord
|
Noun
Verb
|
Agreement, harmony, settlement, compromise
To bring into harmony, to bestow upon
|
accordance, according
|
Discord
(noun)
|
|
Blatant
|
Adj.
|
1. Unpleasantly loud and noisy
2. Totally or offensively conspicuous or obvious
|
1.
Quiet
2. Concealed
|
||
Clamber
|
Verb
|
To climb with difficulty, especially on all
fours; scramble.
|
clambering
|
||
Clamor
|
Noun
Verb
|
1. A loud outcry; a hubbub.
2. A vehement expression of discontent or
protest
1. to cry
out long and loudly
2. to
demand, to complain
|
|||
Contrite
|
Adj.
|
Feeling regretful and sorrowful
|
contrition
|
impenitent,
unrepentant, unremorseful, unapologetic
|
[Middle English contrit, from Latin contrtus,
past participle of conterere, to crush
: com-, com- + terere, to grind]
|
Corpulent
|
Adj.
|
Excessively fat.
|
corps, corporate,
corporation, corpse
|
Thin,
lean, slender, emaciated
|
[from L. corpulentus "fleshy, fat,"
from corpus "body" + -ulentus "full of."]
|
Covert
|
Adj.
Noun
|
1. Secretive 2. Covered
A covering or cover (often a shelter)
|
1.
overt
2. unprotected
|
[Middle English, from Old French, from past
participle of covrir, to cover. See cover.]
|
|
Demoniac
|
Adj.
|
influenced by a demon
resembling a devil; fiendish
|
demonic
|
angelic,
beatific, saintlike, saintly,
|
{from daimonios, of a spirit, from daimn, divine
power. See demon.]
|
Derisive
|
Adj.
|
Mocking, jeering
|
deride
|
respectful
|
|
Discursive
|
Adj.
|
1. Covering
a wide field of subjects; rambling.
|
discourse
|
direct
|
[from L. discursus "a running about, from
dis- "apart" + currere "to run."]
|
Drone
|
Verb
Noun
|
1. To make a low humming sound 2. To speak
monotonously
1. Male bee 2. Idle person 3. Person who does
tedious work
|
droning
|
[From the male bee's humming sound.]
|
|
Ebullient
|
Adj.
|
1. Zestfully
enthusiastic
2. Boiling,
bubbling
|
boil
|
spiritless
|
[1599, "boiling," from L. ebullire
"to spout out, burst out," from e- "out" + bullire
"to bubble" (see boil). Figurative sense of
"enthusiastic" is first recorded 1664.]
|
Errant
|
Adj.
|
Roving, straying, wandering
|
erratic
|
{partly from Old French errer, to travel about
(from Vulgar Latin *iterre, from Latin iter, journey. See ei- in
Indo-European Roots), and partly from Old French errer, to err; see err.]
|
|
Exult
|
Verb
|
To rejoice greatly
|
Exultant
|
[Latin exsultre : ex-, ex- + saltre, to dance]
|
|
Festoon
|
Noun
Verb
|
A string or garland, as of leaves or flowers
To decorate with garlands of leaves or flowers
|
festooning
|
||
Funk (Put
second def. in related word box.)
|
Noun
|
1. State
of cowardly fright
2. State
of severe depression
|
Funk: An earthy quality
in music
|
||
Furtive
|
Adj.
|
stealthy; surreptitious; secretive; shifty
|
Overt,
open, unconcealed
|
||
Gesticulate
|
Verb
|
To make (hand) movements especially while speaking, as for emphasis.
|
gesture
|
||
Grimace
|
Noun
Verb
|
A sharp contortion of the face expressive of
pain, contempt, or disgust.
To make such a face (see above)
|
|||
Impalpable*
|
Adj.
|
1. Not
perceptible to the touch; intangible.
2. Difficult
for the mind to grasp
|
Palpable, tangible
|
||
Inarticulate*
|
Adj.
|
Expressed without words
Unable to speak; speechless
Unable to speak clearly
|
Articulate, eloquent,
well-spoken
|
||
Incantation
|
Noun
|
Ritual recitation of verbal charms or spells to
produce a magic effect.
|
Enchant(ment),
incantatory
|
[from L. of incantare "enchant, bewitch,
charm," lit. "sing
spells"
|
|
Inscrutable*
|
Adj.
|
Difficult to fathom or understand; impenetrable.
|
scrutable
|
See: scrutiny
|
|
Interminable*
|
Adj.
|
1. Endless
2. Tiresomely long; tedious
|
term, terminate,
termination
|
Terminable, short
|
[from L. terminus "end, boundary
line,"]
|
Leviathan
|
Noun
|
1. Something unusually large of its kind,
especially a ship.
2. A very large animal, especially a whale.
3. A monstrous sea creature mentioned in the
Bible.
|
[1382, from Heb. livyathan "dragon,
serpent, huge sea animal," perhaps related to liwyah "wreath,"
from base l-w-h- "to wind, turn, twist.]
|
||
Malevolent
|
Adj.
|
exhibiting ill will; wishing harm to others;
malicious
|
Malevolence
|
Benevolent, benevolence
|
[from L.
male "badly" + volentem (nom. volens), prp. of velle "to
wish."]
|
Myriad
|
Adj.
Noun
|
Innumerable
A vast number
|
Calculable, few
|
[Greek mrias, mriad-, ten thousand, from mrios,
countless.]
|
|
Pinnacle |
Noun
|
The highest point [zenith]; the culmination
|
[nadir]
|
from Late Latin pinnculum, diminutive of Latin
pinna, feather.
|
|
Ravenous |
Adj.
|
Extremely hungry; voracious.
Rapacious; predatory.
Greedy for gratification
|
abstemious
|
||
Sombre
|
Adj.
|
Dark; gloomy; melancholy; dismal; serious; grave
|
Somber
|
Colorful, cheerful
|
|
Specious
|
Adj.
|
Appearing true (or plausible) but actually fallacious
|
Valid,
true, sincere
|
||
Strident |
Adj.
|
Loud, harsh, grating, or shrill; discordant
|
Quiet;
euphonious
|
||
Tacit |
Adj.
|
Not spoken; Implied by or inferred from
|
Taciturn (untalkative)
|
Explicit,
expressed
|
[Latin tacitus, silent, past participle of
tacre, to be silent.]
|
Talisman |
Noun
|
1. Magic object that lends its power to the
wearer or bearer.
2. Something that apparently has magic power.
|
talismanic
|
Beowulf Quest Name:_____________________________
Write all answers on separate sheet. You may write on this
to help.
Fill in the blank with the appropriate word or phrase.
Not all of the answers are here. Not all of these are
answers. But this list might help.
Wiglaf Onela
Higlac Beowulf slave
dragon Geats Unferth
Hrothgar Hrunting Aeschere
Herot Danes Grendel’s mother Grendel
Grendel terrorized the Danes
inside ___ (1. place) for ___ (2. number) years.
___ (3. character) is king of the
Danes.
___ (4. character) is a failed
Danish warrior who at first questions Beowulf’s heroism but later gives him a
sword to help him ___ (5. sword’s name), which fails Beowulf as he battles
Grendel’s mother.
___ (6.) is hung from the rafters
of the hall.
___ (7. character) is Hrothgar’s
friend and advisor who is killed by ___ (8. character).
After Beowulf chopped it off, it
took four Geats to carry ___ (9.) back to the hall.
After ___ (10.
character), the Geat king, and his son die, ___ (11. character) becomes king of
the Geats and rules for ___ (12. number) years.
___ (13. character without a
name) steals a chalice (a gold cup) and angers ____ (14. another character
without particular name).
___ (15. character) fights along
side Beowulf when the other Geats ___ (16. verb) from the dragon.
___ (17. character) kills
Beowulf.
With ___ (18. character)’s help
___ (19. character) kills the dragon.
Beowulf asks ___ (20. character)
to build him ___ (21. structure) when he dies.
___ (22. group of
people) lived in present day southern Sweden.
___ (23. group of people) lived (and continue to live) in
what is present day Denmark.
___
24. Which
of the following is not something
expected of an Anglo-Saxon hero?
A. loyalty to his leader, his
people, and his family B. boasting
about his abilities and successes
C. facing and accepting his fate D. quiet humility about his abilities and
successes
___
25. Beowulf was written in ___.
A. Danish B. German
C. middle English D. Anglo-Saxon
___
26. Each
of monster in the Beowulf epic seems
to embody an extreme version of human characteristics. Choose the letter that
matches the monsters to their characteristics.
A. Grendel and the dragon embody
misunderstood heroism; Grendel’s mother embodies kindness.
B. Grendel, his mother, and the
dragon all represent Unferth’s failures as a hero.
C. Grendel embodies violence;
Grendel’s mother embodies revenge; the dragon embodies greed .
D. none of the above
27. Beowulf was probably performed by ___
before being written by ___ who added ___ to the story.
A. a
warrior…a slave… a chalice B. a scop…a
Christian monk…Christian elements
C. Hrothgar…Hrothgar’s
advisor…stories of Danish heroism. D. a
band…Shakespeare…poetry
28. Which
of the following shows evidence of Christian influence on a pagan story?
A. Wiglaf sprinkles water on Beowulf as he is dying B. Hrothgar’s throne is protected by God
C. Grendel is descended from Cain D. all of the above E. None of the above
29.
Anglo-Saxon epic poetry has 4 ___ per line with 2 beats
on either side of the ___.
A. beats (stressed syllables)…caesura B. alliterations…kenning C. rhymes…wyrd
D. all of the above
E. none of the above
30. In the end Beowulf ___
A. wants to be remembered for his
heroic deeds B. gives Wiglaf valuable
gifts
C. wants Wiglaf to lead the
Geats D. all of the above E. none of the above
Write the word correctly and a complete and accurate
definition.
1. (-flkshn) 2. (ml) 3. (md) 4. (sěn'tə-nəl) 5. (sĭn'yōō) 6. (sŏl'ĭs)
1. _______________:
____________________________________________________________________
2. _______________:
____________________________________________________________________
3. _______________:
____________________________________________________________________
4. _______________:
____________________________________________________________________
5. _______________: ____________________________________________________________________
6. _______________:
____________________________________________________________________
Matching
Choose the vocabulary word that best describes the literary
technique, genre, or concept demonstrated by the quotation. (There are two
answers to number one and two. Four vocabulary words are used once. One word is
used twice. Look for clues.)
1.
___ ___ “Fate
will un-wind as it must” A.
Alliteration
B. Caesura
2.
___ ___ “. . . Granted
new glory: Grendel escaped . . .” C. Epic
D. Kenning
3.
___ “whale-road” E.
Weird/wyrd
4.
___ Beowulf (the type of story)
***
Grendel Quest
Part
One
- Chapter 1 begins ___.
A.
before
Grendel has launched his twelve year war on Hrothgar’s kingdom.
B.
at
the beginning of the twelfth year of Grendel’s war on Hrothgar’s kingdom.
C.
before
Grendel meets the dragon.
D.
after
Wiglaf and Beowulf defeat the dragon.
- In chapter 1 Grendel ___.
A.
extends
his middle finger toward the sky to show his anger.
B.
gets
stuck in a tree and is attacked by a bull.
C.
observes
the development of human civilization.
D.
meets
the shaper for the first time.
- What does Grendel learn about animals in chapter 2?
A.
Animals
are mechanical creatures that act on instinct.
B.
Animals
are theory makers who invent understanding of the world around them.
C.
Animals
are against Grendel.
D.
Animals
are friends with the humans.
- What does Grendel learn about humans in chapter 2?
A.
Humans
are mechanical creatures that act on instinct.
B.
Humans
are theory makers who invent understanding of the world around them.
C.
Humans
know who Grendel is and are against him.
D.
Humans
are friends with the animals.
- When stuck in the tree Grendel begins to ___.
A.
See
the world as an exciting playground to explore
B.
Plot
the destruction of Unferth and Wealtheow
C.
Divide
the world into I (Grendel himself) and it (everything else)
D.
Talk
to the dragon
- Which of the following is not something Grendel observes while watching and listening to humans in chapter 3?
A.
Grendel
listens to the shaper sing about Hrothgar’s heroic ancestors.
B.
Grendel
sees groups of humans attack other groups, destroying buildings, crops,
animals, etc.
C.
Grendel
sees many acts of human heroism and kindness.
D.
Grendel
sees groups of Danes develop from hunter-gathers to farmers to an organized
civilization under Hrothgar’s control.
- In chapter three and four Grendel notices that ____.
A.
The
Shaper’s songs make the Scyldings seem nobler and more heroic than they really
are.
B.
The
Shaper’s songs make the Scyldings seem less noble and less heroic than they
really are.
C.
The
Shaper’s songs are long and boring.
D.
The
Shaper is hated by Hrothgar and his warriors.
- How does Grendel feel about the Shaper’s songs?
A.
Grendel
is bored by the Shaper’s songs.
B.
Grendel
loves the Shaper’s songs without reservation.
C.
Grendel
is completely unaffected by the Shaper’s songs.
D.
Grendel
feels conflicted: the songs are attractive but he knows they are lies.
- Grendel’s feelings about the Shaper’s songs ___.
A.
lead
Grendel to the dragon
B.
cause
Grendel to approach the humans to talk with them
C.
create
conflict within Grendel’s mind
D.
all
of the above
E.
none
of the above
- The Dragon explains to Grendel that ___.
A.
everything
dies, everything ends, everything is temporary and therefore everything is
meaningless
B.
the
humans deserve a second chance
C.
monsters
should become more like people
D.
the
Shaper is really Grendel’s friend
- The belief that existence lacks meaning and value is called ___.
A.
nihilism
B.
heroism
C.
beauty
D.
religion
- What physical change that happens to Grendel symbolizes the emotional change that occurs while talking with the dragon?
A.
The
Dragon charms Grendel’s flesh so swords can not harm him.
B.
Grendel
grows in size after talking with the Dragon.
C.
Grendel
begins to look more human after talking with the dragon.
D.
The
Dragon transforms Grendel into a bull.
- Unferth believes primarily in ___.
A.
nihilism
B.
heroism
C.
beauty
D.
religion
- How does Grendel treat Unferth?
A.
Grendel
kills Unferth because all life is meaningless
B.
Grendel
mocks Unferth instead of killing him, because Unferth wants to die as a hero.
C.
Grendel
befriends Unferth and listens closely to Unferth’s philosophy.
D.
Grendel
makes Unferth squeal like a pig.
- How does Wealtheow become Hrothgar’s queen?
A.
Hygmod
gives his sister to Hrothgar in order to maintain peace with Hrothgar’s
kingdom.
B.
Wealtheow
falls in love with Hrothgar because he is a great warrior.
C.
Wealtheow
chooses Hrothgar after he defeats Unferth in a duel.
D.
Hrothgar
saves Wealtheow from Grendel and then takes her as his queen.
- What does Wealtheow bring to Hrothgar’s people (the Scyldings)?
A.
beauty,
calmness, kindness
B.
heroism,
strength, bravery
C.
belief
in God
D.
deception,
trickery, lies
- Which of the following is not among the ways Grendel responds to Wealtheow?
A.
He
both is attracted to her beauty and kindness and is angered by it, which is
similar to the way he felt about the Shaper.
B.
He
decides not to kill her; he says killing her would be just as meaningless as
not killing her.
C.
He
makes her squeal like a pig in order to strip away her beauty and calmness just
as he mocked Unferth in order to strip away his heroism.
D.
He
is so deeply affected by her that he decides to stop killing humans.
- Hrothulf is ___.
A.
Wealtheow’s
brother who gives her to Hrothgar.
B.
Hrothgar’s
nephew who wants “Universal Justice”.
C.
Grendel’s
father’s name.
D.
The
priest Grendel talks with.
- Red Horse believes ___.
A.
All
governments are evil. He’s an anarchist.
B.
Deeply
in God and religion.
C.
In
heroism, like Unferth and the stranger.
D.
In
Wealtheow’s beauty and kindness.
- The way Red Horse teaches Hrothulf is similar to the way the ___ teaches Grendel.
A.
Hrothgar
B.
The
Dragon
C.
Wealtheow
D.
The
Shaper
- Ork believes that ___.
A.
everything
has a purpose
B.
nothing
has value
C.
heroism
in battle is the most important virtue
D.
Grendel
will be killed by Beowulf
- Which of the following events toward the end of the novel seems to foreshadow Grendel’s death?
A.
the
shaper’s death
B.
Unferth’s
death
C.
Wealtheow’s
death
D.
Hrothgar’s
death
- How does Grendel feel about the arrival of the strangers (the Geats)?
A.
He
is bored by their arrival.
B.
He
is excited by their arrival.
C.
He
is angered by their arrival.
D.
He
thinks they are a joke.
- Why does Grendel feel that way toward the strangers (Geats)?
A.
They
will break up the mechanical boredom of his life.
B.
At
some level Grendel knows that death is the only way out of the mechanical
boredom of his meaningless life.
C.
They
will teach him how to live a more meaningful life.
D.
Both
A and C
E.
Both
A and B
- What does the Stranger try to teach Grendel? The Stranger teaches Grendel ___.
A.
to
find gold and sit on it
B.
do
whatever you want to pass the time
C.
a
person (or monster) must create meaning, value, and hope
D.
that
the Dragon was right
- The Stranger seems to be which character from the Old English poem Beowulf?
A.
Beowulf
B.
Grendel’s
mother
C.
Hrothgar
D.
Wiglaf
- The Stranger’s philosophy shows that he has the opposite beliefs of which character?
A.
Unferth
B.
Wealtheow
C.
The
Dragon
D.
The
Shaper
- In the end ___.
A.
Grendel
accepts what the Stranger tries to teach him and wishes that he had created
meaning, value, and hope while he lived
B.
Rejects
what the Stranger tries to teach him and believes that his death is a
meaningless accident
C.
Grendel
promises to change his behavior and the Stranger lets him live
D.
Grendel
defeats the Stranger
- “Poor Grendel’s had an accident…so may you all” ___.
A.
are
the Stranger’s last words, which show that he hates Grendel
B.
are
Grendel’s last words, which show that he sees life as a pointless accident
C.
is
a clear statement of the author’s deeply held beliefs
D.
are
random words that Mr. Cook plucked out of his own head
- The novel’s author, John Gardner, seems to want to show the reader that ___.
A.
life
is meaningless so do whatever you want to pass the time
B.
strong
heroes always defeat evil monsters
C.
people
must find hope, meaning, and value in life or we are doomed to live an empty,
boring, repetitive existence
D. Mr. Cook likes assigning hard books
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